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Retrieved on June 15, 2008 a b Madajczyk 1970,. . In addition to publication of news (from intercepted Western radio transmissions there were sex in münster reife frauen sexkontakte hundreds of underground publications dedicated to politics, economics, education, and literature (for example, Sztuka i Naród ). 225 Salmonowicz 1994,. . 48 Soon after the occupation began, most libraries were closed; in Kraków, about 80 of the libraries were closed immediately, while the remainder saw their collections decimated by censors. Retrieved on June 15, 2008 a b c Salmonowicz 1994,. . Polish culture during, world War II was suppressed by the occupying powers of, nazi Germany and the, soviet Union, both of whom were hostile. 24 Even exotic animals were taken from the zoos. 7 Then, in October, the printing of new Polish-language books was prohibited; existing titles were censored, and often confiscated and withdrawn. Retrieved on b c d e f Knuth 2003,. . 48 Cinemas, now under the control of the German propaganda machine, saw their programming dominated by Nazi German movies, which were preceded by propaganda newsreels. 96 It was perceived as a much more serious issue in the annexed territories, as it hindered the process of Germanization; involvement in the underground education in those territories was much more likely to result in a sentence to a concentration camp. 90 Jagiellonian University issued 468 masters and 62 doctoral degrees, employed over 100 professors and teachers, and served more than 1,000 students per year. 11 One of the Department's earliest decrees prohibited the organization of all but the most "primitive" of cultural activities without the Department's prior approval. 115 Some artists recorded life and death in occupied Poland; despite German bans on Poles using cameras, photographs and even films were taken. Polish teachers were dismissed, and some were invited to attend "orientation" meetings with the new administration, where they were either summarily arrested or executed on the spot. 100 The two largest underground publishers were the Bureau of Information and Propaganda of Armia Krajowa and the Government Delegation for Poland. Not until the end of World War I was independence restored and the nation reunited, although the drawing of boundary lines was, of necessity, a contentious issue. 71 Soviet-inspired caricatures published in Polish in Lwów, September 1940, excoriating Polish "enemies of the state"businessmen, army officers, aristocrats All publications and media were subjected to censorship. The index of banned authors included such Polish authors as Adam Mickiewicz, Juliusz Słowacki, Stanisław Wyspiański, Bolesław Prus, Stefan Żeromski, Józef Ignacy Kraszewski, Władysław Reymont, Stanisław Wyspiański, Julian Tuwim, Kornel Makuszyński, Leopold Staff, Eliza Orzeszkowa and Maria Konopnicka. 91 Throughout Poland, many other universities and institutions of higher education (of music, theater, arts, and others) continued their classes throughout the war.
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86 Compared to pre-war classes, the absence of Polish Jewish students was notable, as they were confined by the Nazi Germans to ghettos ; there was, however, underground Jewish education in the ghettos, often organized with support from Polish organizations like TON. Paper presented at the Symposium on the occasion of the 60th Anniversary of the Warsaw Rising 1944. 4, the occupiers looted and destroyed much of Poland's cultural and historical heritage, while persecuting and murdering members of the Polish cultural elite. 115 Many of these activities were coordinated under the Action N Operation of Armia Krajowa's Bureau of Information and Propaganda. 227 Salmonowicz 1994,. . According to some statistics, these couriers were among the underground members most frequently arrested by the Germans.
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73 He reversed his decision again, however, when a need arose for Polish-language pro-Soviet propaganda following the German invasion of the Soviet Union ; as a result Stalin permitted the creation of Polish forces in the East and later decided. 38 Queen Bona's 16th century royal casket, looted and destroyed by the Germans in 1939 The Germans were especially active in the destruction of Jewish culture in Poland; nearly all of the wooden synagogues there were destroyed. 87 Students at the underground schools were often also members of the Polish resistance. 89125 Piotrowski 1997,. . 50 Mere possession of such books was illegal and punishable by imprisonment.
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|Wie befriedigt sich eine frau greta brentano||24 The looting was supervised by experts of the SS - Ahnenerbe, Einsatzgruppen units, who were responsible for art, and by experts of Haupttreuhandstelle Ost, who were responsible for more mundane objects. 22 48 In 1940, several German-controlled printing houses began operating in occupied Poland, publishing items such as Polish-German dictionaries and antisemitic and anticommunist novels. 16 Given that the Second Polish Republic was a multicultural state, 17 German policies and propaganda also sought to create and encourage conflicts between ethnic groups, fueling tension between Poles and Jews, and between Poles and Ukrainians. 236237 a b Salmonowicz 1994,. .|
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|Sextreffen ludwigshafen sexkino gelsenkirchen||81 82 Classes were either held under the cover of officially permitted activities or in private homes and other venues. 106 Writers wrote about the difficult conditions in the prisoner-of-war camps ( Konstanty Ildefons Ga?czy?ski, Stefan Flukowski, Leon Kruczkowski, Andrzej Nowicki and Marian Piecha?a the ghettos, and even from inside the concentration camps ( Jan Maria Gisges, Halina Go?czowa, Zofia G?rska (Romanowiczowa). 10 57 The few Polish films permitted to be shown (about 20 of the total programming) were edited to eliminate references to Polish national symbols as well as Jewish actors and producers.|